6 Sonatas Vol. 1 No. 1 – 3 Violin and Bc - Pascal Favre

edited by Michael Talbot

Sheet music

Favre 6 Sonatas Vol. 1 No. 1 – 3 Violin and Bc (edited by Michael Talbot) Favre 6 Sonatas Vol. 1 No. 1 – 3 Violin and Bc (edited by Michael Talbot) Favre 6 Sonatas Vol. 1 No. 1 – 3 Violin and Bc (edited by Michael Talbot) Favre 6 Sonatas Vol. 1 No. 1 – 3 Violin and Bc (edited by Michael Talbot)
Favre 6 Sonatas Vol. 1 No. 1 – 3 Violin and Bc (edited by Michael Talbot)

Composer(s):

Publisher(s):

Publishernumber:

HH476FSP

Instrument(s):

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Product description

Antoine Favre (c.1670–c.1739) was a composer of rare ability whose few surviving collections, all published during the 1730s, have hitherto remained unknown not only to performers but also to the majority of scholars. His second book of sonatas for violin and basso continuo (the first is lost) contains six substantial five-movement works suited equally to concert performance and domestic enjoyment. Players will relish their idiomatic instrumental writing and variety of expression, embracing both the Italian and French styles, as well as their formal sophistication, harmonic resourcefulness and contrapuntal ingenuity.

In this first volume Sonata No. 1, in E minor, opens with a lively movement full of motivic play between violin and continuo. It continues with a fleet corrente-style movement, then a slow movement followed by a delightful French-like gavotte with continuous running quavers in the bass. The piece ends with a kind of gigue in a strongly contrapuntal style.

Sonata No. 2, in F major, begins with a slowish movement (puzzlingly headed ‘Lentement et animé’) and is followed by a movement resembling an Italian allemanda, in which the bass viol (or cello) twice detaches itself from the continuo. Next comes a movement in the style of a slow air tendre, which is succeeded by a breezy giga-like movement and a concluding contrapuntal allegro that is almost, though not quite, a fugue.

Sonata No. 3, in B minor, opens with a slow, richly harmonized movement and continues with a quick movement in the style of the Italian concerto, which French composers had enthusiastically begun to imitate in the 1720s. A slow French sarabande follows, then a French gavotte enclosing an alternate section in B major, and the sonata ends with a vigorous contrapuntal gigue.

Productdetail

Composer(s):

Publisher(s):

Publishernumber:

HH476FSP

Instrument(s):

ISBN:

9781910359808

9790708146872

Number:

922956

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