In the case of the oratorio Christus am Ölberge, Breitkopf & Härtel can finally make amends to Beethoven for a slight committed more than 200 years ago. As in-house composer of the Theater an der Wien, Beethoven was given the chance to perform an oratorio there in the Passion Week of 1803. In no time at all, he had produced the sketch for his first and sole work in this genre. Breitkopf & Härtel, which published the first edition, disapproved of the äopera-likeô libretto by Franz Xaver Huber so strongly that it had the texts revised after the first performance without Beethoven's authorization. Beethoven bridled at this high-handed intervention and demanded that the changes be annulled. In vain: the printed version was sent out into the world without change and the work was disseminated with this textual form to this day. Anja Mühlenweg's new Urtext edition corrects this affront.