Fantasiestucke Op.73 Edition for Violoncello and Piano - Robert Schumann

edited by Ernst Herttrich - Fingering Hans-Martin Theopold- Fingering Violoncello Reiner Ginzel / Henle-Urtext

Sheet music

Schumann Fantasiestucke Op.73 Edition for Violoncello and Piano (edited by Ernst Herttrich - Fingering Hans-Martin Theopold- Fingering Violoncello Reiner Ginzel) (Henle-Urtext) Schumann Fantasiestucke Op.73 Edition for Violoncello and Piano (edited by Ernst Herttrich - Fingering Hans-Martin Theopold- Fingering Violoncello Reiner Ginzel) (Henle-Urtext) Schumann Fantasiestucke Op.73 Edition for Violoncello and Piano (edited by Ernst Herttrich - Fingering Hans-Martin Theopold- Fingering Violoncello Reiner Ginzel) (Henle-Urtext) Schumann Fantasiestucke Op.73 Edition for Violoncello and Piano (edited by Ernst Herttrich - Fingering Hans-Martin Theopold- Fingering Violoncello Reiner Ginzel) (Henle-Urtext) Schumann Fantasiestucke Op.73 Edition for Violoncello and Piano (edited by Ernst Herttrich - Fingering Hans-Martin Theopold- Fingering Violoncello Reiner Ginzel) (Henle-Urtext) Schumann Fantasiestucke Op.73 Edition for Violoncello and Piano (edited by Ernst Herttrich - Fingering Hans-Martin Theopold- Fingering Violoncello Reiner Ginzel) (Henle-Urtext) Schumann Fantasiestucke Op.73 Edition for Violoncello and Piano (edited by Ernst Herttrich - Fingering Hans-Martin Theopold- Fingering Violoncello Reiner Ginzel) (Henle-Urtext)
Schumann Fantasiestucke Op.73 Edition for Violoncello and Piano (edited by Ernst Herttrich - Fingering Hans-Martin Theopold- Fingering Violoncello Reiner Ginzel) (Henle-Urtext)

Composer(s):

Publisher(s):

Publishernumber:

HN422

Instrument(s):

Overige informatie:

Henle-Urtext

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The circumstances in which these poetic 'Soirée Pieces' (thus their original title) came into being are quite surprising. In 1849 Dresden was seized by violent political turmoil that ultimately forced Schumann to flee with Clara to the countryside. Yet none of this is apparent in the music of these three pieces, whose idyllic character signifies a longing for harmony and seclusion. Originally conceived for the clarinet, they were accompanied by alternative parts for violin and cello as early as the original print. We have subjected our editions to a thoroughgoing critique and include a section of detailed editorial notes.

Man möchte kaum glauben, in welchem Umfeld diese poetischen „Soiréestücke“ (so der ursprüngliche Titel) entstanden sind: Dresden war im Jahr 1849 geprägt von schweren politischen Unruhen, die Schumann schließlich zwangen, mit Clara aufs Land zu fliehen. Nichts davon ist in dieser Musik zu spüren; der idyllische Charakter dieser drei Sätze steht vielmehr für die Sehnsucht nach Harmonie und Privatheit. Ursprünglich für die Klarinette gedacht, enthielt schon die Erstausgabe eine alternative Violin- und Violoncellostimme. Wir haben unsere bewährten Ausgaben einer gründlichen quellenkritischen Revision unterzogen und einen ausführlichen Kommentarteil beigefügt.

Productdetail

Composer(s):

Publisher(s):

Publishernumber:

HN422

Instrument(s):

ISBN:

0

9790201804224

Number:

13802

Overige informatie:

Henle-Urtext

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