Concerto a-minor Op.53 Violin-Orchestra Full Score - Antonin Dvorak

edited by Iacopo Cividini
Dvorak Concerto a-minor Op.53 Violin-Orchestra Full Score (edited by Iacopo Cividini) (Barenreiter-Urtext)
Dvorak Concerto a-minor Op.53 Violin-Orchestra Full Score (edited by Iacopo Cividini) (Barenreiter-Urtext) Dvorak Concerto a-minor Op.53 Violin-Orchestra Full Score (edited by Iacopo Cividini) (Barenreiter-Urtext) Dvorak Concerto a-minor Op.53 Violin-Orchestra Full Score (edited by Iacopo Cividini) (Barenreiter-Urtext)
Overige
Barenreiter-Urtext
ISBN
910723, 9790260107670
Volgnummer
910723
Uitgever
Barenreiter Verlag
Meer van deze uitgever
Uitgavenummer
BA10422
Componist
Antonin Dvorak 1841-1904
Meer van deze componist
Instrument
Viool/Violen met Orkest
Thema
Barenreiter Partituur/Fullscore Viool
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Concerto a-minor Op.53 Violin-Orchestra Full Score - Antonin Dvorak

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Productomschrijving

Dvorák’s Violin Concerto was composed between 1879 and 1882, with the active assistance of Joseph Joachim, and was issued by the publisher Fritz Simrock, Berlin in 1883. Its premiere took place in October of that same year with František Ondrícek as soloist. This new Urtext edition is based on the first edition (score, solo violin part, piano reduction and orchestral parts). It also takes Dvorák’s autograph which served as a master copy for the engraving into consideration. A fresh assessment of Dvorák’s manuscript made it possible to reconstruct several variants ignored in the first and subsequent editions and to clarify ambiguities in the notation and articulation. An important component of our Urtext edition is the original piano reduction, which probably stems from Dvorák himself, and in which Joseph Joachim’s fingering is published. • First Urtext edition of the original piano reduction • Variants in the solo part rendered as ossia passages • Foreword on the work’s genesis (Ger/Cz/Eng) and detailed Critical Commentary (Eng) by the editor

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Zoek door nummers:

  • Vorwort
  • Predmluva
  • Preface
  • 1. Allegro ma non troppo
  • 2. Adagio ma non troppo
  • 3. Finale. Allegro giocoso ma non troppo
  • Critical Commentary

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