Bladmuziek
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CH-131
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edited by Fabio Rizza
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At the end of 1818, aged fifty, considering the career of violinist at the Royal Chapel in Turin to have no prospects, Francesco resigned and moved to Paris, where his compositions for guitar were enjoying considerable success, and where, way back in 1803, he, with the publisher Pleyel, had released his 'premier concerto pour violon', dedicated to the Genoese nobleman Giovanni Carlo di Negro. It was during this period that Francesco Molino's (Ivrea 1768 - Paris? 1847) only three works for guitar and piano were composed, his Nocturnes op. 36, 44 and 57. The term Nocturne here should be read in the late-eighteenth-century sense of a composition in several movements, similar to a serenade or divertissement. The fact that these pieces were destined for society drawing rooms is clear amongst other things from its operatic influences (Nocturne op. 57 is based on themes from Rossini) and from performance directions that allow beginners play simplified versions of the more technically difficult passages. His Nocturne op. 36 was published independently in Paris by the composer, but was soon reprinted all over Europe by Lemoine, Breitkopf & Härtel and André. The original title reads thus: Premier Nocturne | pour | Piano & Guitare | Dédié | à Monsieur & Madame | Lecacheur | et composé par | F. Molino. | Op. 36 | à Paris | Chez l'AUTEUR Molino also produced a version for flute or violin and guitar, published with opus number 37;2 both editions can be dated to around 1825. My thanks go to Mario Dell'Ara for his information on Molino's Méthode op. 33.
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CH-131
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ISBN:
9790215318915
Volgnummer:
203896
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Overige informatie:
edited by Fabio Rizza
