Bladmuziek
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Pierrot lunaire marks the high point of Schoenberg's expressionistic period, the essence of which he described as renouncing tonal centers and systematic relationships, replacing them with the twelve-tone method he was later to develop, with its dodecaphonic principles. Dethroning tonality and 'emancipating the dissonance' led to a radical change in his understanding of form and the intensity of musical expression beginning in 1907/1908: 'And I am unconditionally approaching a new kind of expression - I can sense it. The sounds now are virtually becoming a bestially direct expression of sensual and intellectual feelings - almost as if everything had been directly propagated.' (Diary entry, March 1912.)
Work Details Opus: op. 21 . Year of composition: 1912 Subtitle: Dreimal 7 Gedichte. Scored for: for speaker and 5 instrumentalists Text Source: Pierrot lunaire. Text Author: Albert Giraud Translator: Otto Erich Hartleben Soloinstruments/Soloists: speaker Instrumentation details: flute (+picc); clarinet in A (+cl(Bb); bass cl(B)); piano; violin (+vla); violoncello Duration: 40 Min.
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ISBN:
803452066934
9783702469825
9790008083174
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188841
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