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School of Bowing Technique for Violoncello Opus 2 Sections I and II - Otakar Sevcik

edited by Tomáš Jamník
Sevcik School of Bowing Technique for Violoncello Op. 2 Sections I and II (edited by Tomáš Jamník)
Sevcik School of Bowing Technique for Violoncello Op. 2 Sections I and II (edited by Tomáš Jamník) Sevcik School of Bowing Technique for Violoncello Op. 2 Sections I and II (edited by Tomáš Jamník) Sevcik School of Bowing Technique for Violoncello Op. 2 Sections I and II (edited by Tomáš Jamník)
ISBN
917889, 9790260108479
Volgnummer
917889
Uitgever
Barenreiter Verlag
Meer van deze uitgever
Uitgavenummer
BA11547
Componist
Otakar Sevcik 1852-1934
Meer van deze componist
Instrument
Cello Methodes en Etudes
Thema
Barenreiter Cello Methodes
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School of Bowing Technique for Violoncello Opus 2 Sections I and II - Otakar Sevcik

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Productomschrijving

Otakar Ševcík’s op. 2 is a fundamental tutor for teaching the violin. It focuses on the elementary problems of right-hand technique which Ševcík practises in 4,000 variants of systematically organized exercises for all bowings. This famous tutor has remained in use to the present day and is equally valued by players of other string instruments.

The distinguished cellist Tomáš Jamník has arranged the “School of Bowing Technique” for the violoncello, taking into account its differences from the violin. He has transcribed individual exercises for the violoncello without neglecting Ševcík’s original pedagogical aims. As a result, this edition differs fundamentally from the only known cello arrangement of this opus by Louis R. Feuillard.

- New arrangement for violoncello of one of the most significant violin tutors for the right hand
- Foreword and valuable methodological notes by the arranger (Cz/Eng/Ger)
- Exercises in ascending order of difficulty: easy – moderate – difficult 

Inhoud
Zoek door nummers:

  • Section I:
  • Preparatory exercises:
  • No. 1: How to hold the bow
  • No. 2: Movement of the bow
  • Rhytmic exercises and bow-lenght division:
  • No. 3: Example in semibreves, with 57 variants
  • No. 4: Study in minims, with 75 variants
  • Detached and springing bowing styles:
  • No. 5: Study in crotchets, with 260 variants
  • No. 6: Study in quavers, with 214 variants
  • No. 7: Study in quavers in 6/8 time, with 91 variants
  • The preceding bowing exercises in the high positions:
  • No. 8
  • No. 9
  • No. 10
  • Exercises in broken chords on 3 and 4 strings, using preceding bowing styles:
  • No. 11
  • No. 12
  • Section II:
  • No. 13: Study in triplets, with 105 variants
  • No. 14: Study in triplets in 3/4 time, with 77 variants
  • No. 15: Study in semiquavers in 6/8 time, with 64 variants
  • No. 16: Study in semiquavers in 3/4 time, with 68 variants
  • No. 17: Study in semiquavers in 4/4 time, with 131 variants
  • Exercises in "pp" over the fingerboard, in order to develop softness of tone:
  • No. 18: Example with 30 variants
  • No. 19: Study with 59 variants
  • Exercise in sustained notes and for economy of the bow: No. 20
  • Exercises in broken chords on 3 and 4 strings, using preceding bowing styles:
  • No. 21
  • No. 22
  • No. 23
  • No. 24
  • The preceding bowing exercises in the high positions:
  • No. 25
  • No. 26
  • No. 27
  • No. 28
  • Supplement:
  • Exercises themes
  • Exercises in the thumb position:
  • No. 5A
  • No. 5B
  • No. 6A
  • No. 6B
  • No. 7A
  • No. 11A
  • No. 13A
  • No. 14A
  • No. 16A
  • No. 22A

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