Cambridge Companion to Mahler - Jeremy Barham
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342 pag.
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In the years approaching the centenary of Mahler's death, this book provides both summation of, and starting point for, an assessment and reassessment of the composer's output and creative activity. Authored by a collection of leading specialists in Mahler scholarship, its opening chapters place the composer in socio-political and cultural contexts, and discuss his work in light of developments in the aesthetics of musical meaning. Part II examines from a variety of analytical, interpretative and critical standpoints the complete range of his output, from early student works and unfinished fragments to the sketches and performing versions of the Tenth Symphony. Part III evaluates Mahler's role as interpreter of his own and other composers' works during his lifelong career as operatic and orchestral conductor. Part IV addresses Mahler's fluctuating reception history from scholarly, journalistic, creative, public and commercial perspectives, with special attention being paid to his compositional legacy. -Comprehensive coverage of Mahler's works, providing the reader with a balanced overview -Includes a discography and a detailed chronology -Chapters consider Mahler in the context of surrounding cultural and political events
Inhoud
- Chronology: Introduction: Marginalia on Mahler
- today Jeremy Barham; Part I. Cultural Contexts: 1.
- Socio-political landscapes: reception and
- biography Peter Franklin; 2. The literary and
- philosophical worlds of Gustav Mahler Morten
- Solvik; 3. Music and aesthetics Vera Micznik; Part
- II. Mahler the Creative Musician: 4. Juvenilia and
- early works: from the first song fragments to Das
- klagende Lied Jeremy Barham; 5. Song and symphony
- (I). Lieder und Gesänge Vol.1, Lieder eines
- fahrenden Gesellen and the First Symphony:
- compositional patterns for the future Zoltan
- Roman; 6. Song and song-symphony (I). Des Knaben
- Wunderhorn and the Second, Third and Fourth
- Symphonies: music of heaven and earth Peter
- Revers; 7. Song and symphony (II). From Wunderhorn
- to Rückert and the middle-period symphonies: vocal
- and instrumental works for a new century Stephen
- E. Hefling; 8. The 'greatest' and the 'most
- personal': the Eighth Symphony and Das Lied von
- der Erde Christian Wildhagen; 9. The last works
- Jörg Rothkamm; Part III. Mahler the Re-creative
- Musician: 10. Mahler as conductor in the opera
- house and concert hall Herta Blaukopf; 11.
- Arrangements and Retuschen - Mahler and Werktreue
- David Pickett; Part IV. Reception and Performance:
- 12. Issues in Mahler reception: historicism and
- misreadings after 1960 Christoph Metzger; 13. The
- history of the International Gustav Mahler Society
- in Vienna and the complete critical edition
- Reinhold Kubik; 14. Musical languages of love and
- death: MahlerÆs compositional legacy Stephen
- Downes; 15. Mahler conducted and recorded: from
- the concert hall to DVD Lewis M. Smoley; 16. New
- research paths in criticism, analysis and
- interpretation John Williamson; Appendix.
Productdetail
Componist(en):
Uitgever('s):
Uitgavenummer:
9780521540339
Instrument(en):
ISBN:
9780521540339
Volgnummer:
186850
Overige informatie:
342 pag.
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