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  • Cadenzas for W. A. Mozart's Piano Concertos Piano solo Vol.3

Cadenzas for W. A. Mozart's Piano Concertos Piano solo Vol.3 - Ferruccio Busoni

KV 482 - KV 488 - KV 491 KV 503 / Ferruccio Busoni, who exploited and integrated the most varied stylistic elements in his most personal compositions, logically pursued this pluralism in the Mozart cadenzas.

Sheet music

Busoni Cadenzas for W. A. Mozart's Piano Concertos Piano solo Vol.3 (KV 482 - KV 488 - KV 491 KV 503)
Busoni Cadenzas for W. A. Mozart's Piano Concertos Piano solo Vol.3 (KV 482 - KV 488 - KV 491 KV 503)

Composer(s):

Ferruccio Busoni

Publisher(s):

Breitkopf & Hartel

Publishernumber:

EB8579

Instrument(s):

Piano Solo

Overige informatie:

Ferruccio Busoni

who exploited and integrated the most varied stylistic elements in his most personal compositions

logically pursued this pluralism in the Mozart cadenzas.

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€19.15 Incl. Tax
Delivery time usually between 6-8 business days
The Mozart-Busoni performer is swept into a tension-filled network of relationships: bravura passages straight from the pianistic tradition of the 19t.. Read more
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Product description

The Mozart-Busoni performer is swept into a tension-filled network of relationships: bravura passages straight from the pianistic tradition of the 19th century, dense series of chords in late-romantic harmonies which lead to the limits of major-minor tonality, but also passages of transparent Mozartian writing as well, complete with Alberti basses, trills and appoggiaturas. Vladimir Horowitz of whom it is well known that he nurtured undeniable compositional ambitions remained faithful to Busonis cadenzas up into his old age, and never tired of recommending them to pianists.

Productdetail

Composer(s):

Ferruccio Busoni

Publisher(s):

Breitkopf & Hartel

Publishernumber:

EB8579

Instrument(s):

Piano Solo

ISBN:

00

9790004178669

Number:

7358

Theme(s):

Breitkopf & Hartel

Piano

Overige informatie:

Ferruccio Busoni

who exploited and integrated the most varied stylistic elements in his most personal compositions

logically pursued this pluralism in the Mozart cadenzas.

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