Method of Italian Singing - Maurizia Barazzoni

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Method of Italian Singing
Method of Italian Singing

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Publishernumber:

DM-71

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paperb.

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Product description

The purpose of this work is to bridge the gap between musicological theory and methodological practice in the study of singing. This singing method explores the 'Italian tradition', an idea to which we will make constant reference in the chapters that follow. We begin with a discussion of terms and their meanings, and go on to develop a teaching course in which vocal practice is based on exercises and 'solfeggi' from historical sources, correlated with live testimony from those who were present at the time. It goes without saying that the full extent and complexity of this subject cannot be exhausted in the pages of a single volume. For this reason, the contents of this method should be seen as an introduction to the fundamental principles of the 'antica scuola italiana', the ancient Italian school of singing, which we examine from 'Le Nuove Musiche' by Giulio Caccini up to bel canto singing of the early 19th century.

Content

  • Introduction
  • Chapter 1 - Physiology
  • 1.1 Overview
  • 1.2 Breathing
  • 1.3 Voice classification
  • 1.4 Voice classification according to García
  • Chapter 2 - Emission
  • 2.1 Overview
  • 2.2 Scales for controlling the voice (Pellegrini
  • Celoni)
  • 2.3 Scales for forming the voice (Pellegrini
  • Celoni)
  • 2.4 Messa di voce
  • 2.5 Messa di voce exercises (Pellegrini Celoni)
  • 2.6 Attacking the sound
  • Chapter 3 - Posture
  • 3.1 Overview - Position of mouth and tongue
  • 3.2 Forming the vowels
  • 3.3 Exercises from the MCP
  • Chapter 4 - Registers
  • 4.1 Overview
  • 4.2 Merging the registers
  • 4.3 Exercises for merging the registers (García,
  • Pellegrini Celoni)
  • 4.4 Timbre
  • Chapter 5 - Embellishments
  • 5.1 Portamento di voce
  • 5.2 Portamento exercises (Pellegrini Celoni)
  • 5.3 Accent
  • 5.4 Trill - Groppo
  • 5.5 Ribattuto exercise (García)
  • 5.6 Trill exercises (Pellegrini Celoni)
  • 5.7 Scales for training the trill
  • 5.8 Appoggiatura
  • 5.9 Appoggiatura exercises (Pellegrini Celoni)
  • 5.10 Gruppetto - Mordent
  • 5.11 Mordent exercises (Pellegrini Celoni)
  • 5.12 Volatina
  • 5.13 Volatina exercises (MCP)
  • Chapter 6 - Passages
  • 6.1 Overview
  • 6.2 Rubato
  • 6.3 Singing di gorgia
  • 6.4 Exercises from Bovicelli
  • 6.5 Exercises from Rognoni
  • Chapter 7 - Madrigal a voce sola
  • 7.1 Overview
  • 7.2 Strophe aria
  • 7.3 Illustrated plates from Caccini
  • Chapter 8 - Recitative
  • 8.1 Recitative style in the early 17th century
  • 8.2 Sprezzatura
  • 8.3 Recitative in the 18th century
  • Chapter 9 - Agility
  • 9.1 Overview
  • 9.2 Martellato
  • 9.3 Arpeggiato
  • 9.4 Cantar di sbalzo
  • 9.5 Agility exercises (Pellegrini Celoni)
  • 9.6 Arpeggio exercise (Lablache)
  • Chapter 10 - Solfeggio
  • 10.1 Overview
  • 10.2 Vocalisation
  • 10.3 Pronunciation and articulation
  • 10.4 Aprile's Solfeggi
  • Chapter 11 - Cadenza
  • 11.1 Overview
  • 11.2 Exercises (Pellegrini Celoni)
  • 11.3 Fermata
  • 11.4 Examples (Pellegrini Celoni)
  • Chapter 12 - Aria
  • 12.1 Overview
  • 12.2 Cantabile
  • 12.3 Andante
  • 12.4 Allegro
  • 12.5 Agitato
  • 12.6 Aria parlante
  • 12.7 Rondò
  • 12.8 Cavatina
  • Chapter 13 - Vibrato and top C from the chest
  • 13.1 Vibrato
  • 13.2 Top C from the chest
  • Bibliography
  • Glossary

Productdetail

Composer(s):

Publisher(s):

Publishernumber:

DM-71

Instrument(s):

ISBN:

9790215319134

Number:

203000

Overige informatie:

paperb.

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