The Pathetick Musician - Moving an Audience in the Age of Eloquence - Geoffrey Burgess
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What is rhetorical music? In The Pathetick Musician, Bruce Haynes and Geoffrey Burgess illustrate the vital place of rhetoric and eloquent expression in the creation and performance of Baroque music. Through engaging explorations of the cantatas of J.S. Bach, the authors explode the conventional notion of historical authenticity in music, proposing adventurous new directions to reinvigorate the performance of early music in the modern setting. Along the way, Haynes and Burgess investigate intersections between music and oratory, dance, gesture, poetry, painting and sculpture, and offer insights into figural elaboration, articulation, nuance and temporality. Aimed primarily at performers of Baroque music, the book situates the study of performance practice in a broader cultural context, and as much as an invaluable resource for advanced study, it contains a wealth of information that pertains directly to anyone working in the field of early music. Based on a draft sketched by celebrated Baroque oboist and early music scholar Bruce Haynes before his death in 2011, The Pathetick Musician is the fruit of the combined wisdom of two musicians renowned equally for their contributions as performers and scholars. Drawing on an impressive array of Classical treatises on oratory, musical autographs and performance accounts, it is an essential companion to Haynes' controversial The End of Early Music. Geoffrey Burgess has taken up the broader claims of Haynes' philosophy to create a practical, accessible text that will be stimulating for all musicians interested in the rediscovery of early music. With copious musical examples, contemporaneous works of art, and a companion website with supplementary audio recordings, The Pathetick Musician is an invaluable resource for all interested in exploring new expressive possibilities in the performance and study of Baroque music.
Content
- Foreward: Aus der Tiefe (Geoffrey Burgess)
- Acknowledgements
- List of Musical Examples and Figures
- List of Audio Examples
- Preface: Pipe Dreams (Bruce Haynes)
- Part I
- Introduction: The Eloquent Musician (BH)
- The Truth in Eloquence
- Rhetorical Music
- The Pathetick Musician
- 'Ut pictura poesis'
- The Officers of Rhetoric
- Style Coaches
- Further Reading
- Chapter 1: In the Realm fo the Passions (GB)
- Humanism and the Rhetorical Ethos
- Seconda pratica
- Of Æsthetics and Beauty
- Autonomous Music and 'Art for Art's sake'
- Personally expressing passions or Passionately expressing persons?
- Further Reading
- Chapter 2: The Principles of Eloquence: The Artist's Toolbox (GB)
- The Offices of Rhetoric
- Structuring Rhetoric
- The Sense of Music
- On the possibility of a Figurenlehre
- Further Reading
- Chapter 3: Bach's Expressive Universe (GB)
- Imitation: Portraying and Evoking the World
- 'Clear running water': Schweitzer's Legacy
- Figuring Bach's World
- Bach the Poet, Bach the Painter
- Onomatopoeia
- Landscapes and 'Paintings of Life'
- Further Reading
- Chapter 4: Bach's Passionate Inner world (GB)
- General and Particular Expression
- Reading Bach's Passions
- Fear and Tremolo
- Antithesis: At Odds with oneself
- Polyphonies of Passions: Passions in Polyphony
- The Proximity of Opposites
- Further Reading
- Part II
- Chapter 5: Enhancing Eloquence in Performance (Elocutio) (GB)
- The 'Intentional Fallacy' Fallacy: Whose Intention?
- Elocutio: the Essence of Performance Practice
- 'Humouring' the score
- Tempo and Affekt
- Light and shadow
- Further Reading
- Chapter 6: Figures: Spinning straw into gold (GB)
- Public Speaking, Public Musicking
- Declamation as Figurative Speech
- Figures as Glosses and Ornamentation
- Essential Graces
- Graces as Glosses
- The Salt of Music: the Spice of Dissonance
- Graces as Passionate Expression
- Structuring Ornaments: Passaggi and Paraphrase
- Ornaments in History
- Further Reading
- Chapter 7: The expressive Gesture (GB)
- Audible architecture
- Articulating the Musical Gesture
- The Breath of Life
- Agogics
- The Agogic Accent,
- The Agogic Pickup,
- The Agogic Placement,
- The Hesitation
- Finding the Poetry in the Notes
- Pause to Reflect
- Gesture and Character
- Gesturing towards the Phrase
- Further Reading
- Chapter 8: Kairos: Expressive Timing (GB)
- Chronos and Kairos: Two kinds of time
- The metronome and the modern tendency toward Chronos
- The beat, or pulse in Baroque Music
- 'The true motion of the Bass'
- Tempo Fluctuation
- Borrowed time
- Kairos: Isolating Musical Events
- Timing in Dance Music
- Further Reading
- Chapter 9: To Kindle the Heart: Engagement in Performance (GB)
- The sovereign Audience
- Authentic Ears
- Music in the Body
- The Meaning of Vortrag
- 'The Unutterable Ravishing Soul's Delight'
- Dance: Une poësie muette
- Sincerity in Performance
- Mental Multitasking
- Further Reading
- Chapter 10: Analysing Expression in Recordings of Bach's cantatas (BH)
- Appendix: Bibliography of the Writings of Bruce Haynes
- General Bibliography
- Index
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Composer(s):
Publisher(s):
Publishernumber:
9780199373734
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ISBN:
9780199373734
Number:
907552
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