Violin Sonata A major Op.100 Violin and Piano - Johannes Brahms

Fingering and bowing for Violin by Frank Peter Zimmermann / Edited by Bernd Wiechert - Fingering Martin Helmchen

Sheet music

Brahms J. Violin Sonata A major Op.100 Violin and Piano (Fingering and bowing for Violin by Frank Peter Zimmermann) (Edited by Bernd Wiechert - Fingering Martin Helmchen) Brahms J. Violin Sonata A major Op.100 Violin and Piano (Fingering and bowing for Violin by Frank Peter Zimmermann) (Edited by Bernd Wiechert - Fingering Martin Helmchen) Brahms J. Violin Sonata A major Op.100 Violin and Piano (Fingering and bowing for Violin by Frank Peter Zimmermann) (Edited by Bernd Wiechert - Fingering Martin Helmchen) Brahms J. Violin Sonata A major Op.100 Violin and Piano (Fingering and bowing for Violin by Frank Peter Zimmermann) (Edited by Bernd Wiechert - Fingering Martin Helmchen) Brahms J. Violin Sonata A major Op.100 Violin and Piano (Fingering and bowing for Violin by Frank Peter Zimmermann) (Edited by Bernd Wiechert - Fingering Martin Helmchen) Brahms J. Violin Sonata A major Op.100 Violin and Piano (Fingering and bowing for Violin by Frank Peter Zimmermann) (Edited by Bernd Wiechert - Fingering Martin Helmchen)
Brahms J. Violin Sonata A major Op.100 Violin and Piano (Fingering and bowing for Violin by Frank Peter Zimmermann) (Edited by Bernd Wiechert - Fingering Martin Helmchen)

Composer(s):

Publisher(s):

Publishernumber:

HN1569

Instrument(s):

Overige informatie:

Edited by Bernd Wiechert - Fingering Martin Helmchen

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Product description

Brahms composed a whole series of chamber music works, including his Second Violin Sonata in A major, during a summer visit to Thun in Switzerland in 1886. This wonderfully lyrical work is one of his most cheerful creations; his biographer Max Kalbeck once cryptically called it a “sonata of love and song”. The second subject of the first movement quotes the principal motif of Brahms’s own song “Wie Melodien zieht es mir”, and the other movements are similarly characterised by a melodious intimacy. The close structural cohesion of the sonata was immediately acknowledged by the music critic Eduard Hanslick, who noted that “The three movements form a pure triad of uniformly soothing moods”.
The musical text of this revised Urtext edition is based on the recently-published volume within the New Brahms Complete Edition, which guarantees the highest degree of scholarly precision. Frank Peter Zimmermann and Martin Helmchen, masters of their respective instruments, provide helpful fingerings with marked and unmarked string parts.

Productdetail

Composer(s):

Publisher(s):

Publishernumber:

HN1569

Instrument(s):

ISBN:

9790201815695

Number:

931286

Theme(s):

Overige informatie:

Edited by Bernd Wiechert - Fingering Martin Helmchen

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